{"id":16299,"date":"2024-01-26T09:45:09","date_gmt":"2024-01-26T09:45:09","guid":{"rendered":"https:\/\/www.hartmann-gesellschaft.de\/publications\/"},"modified":"2026-01-08T09:18:32","modified_gmt":"2026-01-08T09:18:32","slug":"publications","status":"publish","type":"page","link":"https:\/\/www.hartmann-gesellschaft.de\/en\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"

2025<\/strong><\/p>\n

The second edition of the musicology symposium hartmannforum<\/em> on 27 November 2024 focused on Karl Amadeus Hartmann’s Concerto funebre<\/em> for solo violin and string orchestra \u2013 formerly known as Musik der Trauer<\/em> (Music of Mourning). Further information can be found at https:\/\/www.hartmann-gesellschaft.de\/hartmannforum-2024-fuer-junge-musikwissenschaftlerinnen\/<\/a> <\/p>\n

The two winners of the international competition, Johanna Bulitta and Charlotte Steup, have written up their presentations, and the scripts are available to download free of charge.<\/p>\n

Charlotte Steup: “Karl Amadeus Hartmanns Concerto funebre <\/em>\u2013 Ein Mahnmal gegen den Krieg” (music historical lecture)<\/p>\n

Johanna Bulitta: “Karl Amadeus Hartmanns Concerto funebre<\/em> \u2013 Ein musikalisches Bekenntnis” (music analytical lecture)<\/p>\n

 <\/p>\nMUSIC HISTORICAL LECTURE<\/a>\nMUSIC ANALYTICAL LECTURE<\/a>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

2024 <\/strong><\/p>\n

The first edition of the hartmannforum<\/em> musicological symposium on 29 November 2023 focused on Karl Amadeus Hartmann’s last work, the Gesangsszene<\/em> for baritone and orchestra to words from “Sodom and Gomorrah” by Jean Giraudoux. You can find more information on this at https:\/\/www.hartmann-gesellschaft.de\/neue-initiative-hartmannforum-2023-fuer-junge-musikwissenschaftlerinnen\/<\/a><\/p>\n

The two winners of the international competition, Cornelia Picej and Christoph Schuller, have each written up their presentations, and the scripts are available to download free of charge.<\/p>\n

Christoph Schuller: “Klingende Fortschrittskritik: Karl Amadeus Hartmanns Gesangsszene<\/em> f\u00fcr Bariton und Orchester zu Worten aus \u201eSodom und Gomorrha\u201c von Jean Giraudoux” (music historical lecture)<\/p>\n

Cornelia Picej: “Ein Blick auf die Form- und Kompositionsprinzipien der Gesangsszene<\/em>” (music analytical lecture)<\/p>\n

 <\/p>\nMUSIC HISTORICAL LECTURE<\/a>\nMUSIC ANALYTICAL LECTURE<\/a>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

2023<\/strong><\/p>\n

published in the series Musik in Bayern<\/em>:<\/p>\n

 <\/p>\n

Andreas H\u00e9rm Baumgartner und Wolfgang Rathert: “Offenheit, Treue und Br\u00fcderlichkeit \u2013 Karl Amadeus Hartmann und Hans Werner Henze im Spiegel ihrer Korrespondenz”, in: Musik in Bayern<\/em>, Bd. 88, published by Gesellschaft f\u00fcr Bayerische Musikgeschichte e.V., Allitera Verlag, M\u00fcnchen 2023.<\/p>\n

Available to order at: https:\/\/allitera-verlag.de\/buch\/musik-in-bayern-band-88-jahrgang-2023\/<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

2022<\/strong><\/p>\n

The Karl Amadeus Hartmann-Gesellschaft e.V. presents the first volume of the “Schriftenreihe Karl Amadeus Hartmann”.<\/p>\n

\"\"<\/p>\n

\u201dOffenheit, Treue, Br\u00fcderlichkeit \u2026\u201d. Karl Amadeus und Elisabeth Hartmann im Briefwechsel mit Hans Werner Henze\u2019, published by Andreas H\u00e9rm Baumgartner, Wolfgang Rathert, Allitera Verlag, M\u00fcnchen 2022.<\/p>\n

Available to order at: https:\/\/allitera-verlag.de\/buch\/offenheit-treue-bruederlichkeit\/<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

2025 The second edition of the musicology symposium hartmannforum on 27 November 2024 focused on Karl Amadeus Hartmann’s Concerto funebre for solo violin and string orchestra \u2013 formerly known as Musik der Trauer (Music of Mourning). Further information can be found at https:\/\/www.hartmann-gesellschaft.de\/hartmannforum-2024-fuer-junge-musikwissenschaftlerinnen\/ The two winners of the international competition, Johanna Bulitta and Charlotte Steup, […]<\/p>\n","protected":false},"author":21,"featured_media":16308,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16299","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nPublications - KARL AMADEUS HARTMANN - CENTER<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.hartmann-gesellschaft.de\/en\/publications\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publications - KARL AMADEUS HARTMANN - CENTER\" \/>\n<meta property=\"og:description\" content=\"2025 The second edition of the musicology symposium hartmannforum on 27 November 2024 focused on Karl Amadeus Hartmann’s Concerto funebre for solo violin and string orchestra \u2013 formerly known as Musik der Trauer (Music of Mourning). 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