On the death of Prof Dr Reinhold Kreile

It is with great sadness that the Karl Amadeus Hartmann Society / Hartmann Center bids farewell to its long-standing member and former Chairman of the GEMA Board of Directors, Prof. Dr Reinhold Kreile, who passed away on Friday, 30 August 2024, at the age of 94. Reinhold Kreile was not only a committed member of our society, but also deeply connected to the musical legacy of Karl Amadeus Hartmann and the Hartmann family. Music was always at the centre of his work, and with his death Munich’s cultural life has lost an important personality. The Karl Amadeus Hartmann Society / Hartmann Centre will always honour Reinhold Kreile’s memory.

 

https://www.gema.de/de/w/gema-trauert-um-reinhold-kreile

On the death of Wolfgang Rihm

It is with great sadness that the Karl Amadeus Hartmann Society / Hartmann Centre bids farewell to one of the most important contemporary composers. Wolfgang Rihm was a founding member of our society in 2004 and was closely associated with Karl Amadeus Hartmann’s musical legacy and with us personally. His works and his presence always enriched our concerts. The Karl Amadeus Hartmann Society / Hartmann Centre will always honour the memory of Wolfgang Rihm.   https://www.br-klassik.de/aktuell/news-kritik/wolfgang-rihm-komponist-gestorben-nachruf-100.htmlhttps://www.universaledition.com/News/Trauer-um-Wolfgang-Rihm/https://www.swr.de/swrkultur/musik-klassik/wolfgang-rihm-ist-tot-tonkuenstler-und-ermutiger-zum-eigensinn-100.html

Addendum Patricia Kopatchinskaja plays the Concerto funebre at the Salzburg Festival

On 20 July 2024, the Kollegienkirche offered an extraordinary concert programme with works by Sofia Gubaidulina, Arvo Pärt and Karl Amadeus Hartmann as part of the Salzburg Festival. Patricia Kopatchinskaja, dressed in bright red, performed Hartmann’s ‘Concerto funebre’ together with the Camerata Salzburg with impressive vibrancy and energy. A detailed review of this special evening is linked below.
In 2023, Kopatchinskaja was made an honorary member of the Hartmann Society for her services to Karl Amadeus Hartmann and his work.
Translated with DeepL.com (free version) https://www.br-klassik.de/aktuell/news-kritik/salzburger-festspiele-ouverture-spirituelle-102.html

Speakers for the hartmannforum 2024 have been confirmed

Congratulations to the two speakers of this year’s hartmannforum Charlotte Steup and Johanna Bulitta! We are very much looking forward to the respective music-historical and music-analytical lectures on Hartmann’s Concerto funebre. When? 27th November 2024 at 6.30 pm Where? Premises of the Karl Amadeus Hartmann Society / Hartmann Centre in Franz-Joseph-Str. 20 80801 Munich. Further information can be soon found on the homepage.

hartmannforum 2024 young musicologists

The Karl Amadeus Hartmann Society/Hartmann Center is hosting the hartmannforum, a platform for the promotion of young musicologists in German-speaking countries, for the second time on 27 November 2024 at 6.30 pm.

The hartmannforum scientific conference will be held in the premises of the Karl Amadeus Hartmann Society/Hartmann Centre in Franz-Joseph-Str. 20 80801 Munich. The overarching theme is Karl Amadeus Hartmann’s Concerto funebre for solo violin and string orchestra (1939/rev. new version 1959). In addition to introductory thoughts by Andreas Hérm Baumgartner (Director of the Hartmann Centre) and a keynote speech by Prof. Dr Wolfgang Rathert (LMU Munich), the symposium will include two contributions. A music-historical and a music-analytical lecture on the Concerto funebre are therefore being organised. The presentation should last 45 to a maximum of 60 minutes.

 

The call for applications is specifically aimed at people who have already obtained a Bachelor of Arts/Bachelor of Music degree in musicology or music studies and were born after 27 November 1994. All information on the hartmannforum can also be found in the announcement below.

The application deadline is 17 May 2024 at 23:59 CET (digital receipt). Applications received after this date cannot be considered. The winners will be notified by email by 15 July 2024 at the latest.
If you have any questions, please contact Mrs Marion Lutsch (marion.lutsch@hartmann-gesellschaft.de)
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The Hartmann Society mourns the loss of founding member Aribert Reimann

It is with great sadness that the Karl Amadeus Hartmann Society / Hartmann Centre bids farewell to one of the most important composers of the post-war period. Aribert Reimann died in Berlin at the age of 88. He was a founding member of the Hartmann Society and he and his works were welcome guests at our concerts.

The Karl Amadeus Hartmann Society / Hartmann Centre will always honour Aribert Reimann’s memory.

 

https://www.br-klassik.de/aktuell/news-kritik/aribert-reimann-komponist-verstorben-nachruf-100.html

https://www.schott-music.com/de/blog/zum-tod-aribert-reimann-verstorben-1936-2024-nachruf/

 

 

Hartmann’s “Burlesque Music” on 24 January 2024 at 8 pm at Schwere Reiter

We would like to draw your attention to an exciting concert by the ensemble risonanze erranti under the direction of Peter Tilling at the Schwere Reiter on 24 January 2024 at 8 pm. The occasion for the concert is the 100th birthday of the Italian composer Luigi Nono. The three composers of the evening – Luigi Nono, Hans Werner Henze and Karl Amadeus Hartmann – were linked by a close friendship and Hartmann is often cited as the mentor of the two much younger composers. The programme includes two works by Luigi Nono, his “Canti per 13” (1955) and the “Polifonica-Monodia-Ritmica per Ensemble” (1951) as well as Henze’s “Der Idiot” (1952) with paraphrases of Dostoyevsky on poems by Ingeborg Bachmann and Hartmann’s “Burleske Musik für Ensemble” (1931). In “Burleske Musik”, Hartmann takes up various musical trends of the time, including jazz elements, song style and allusions to Kurt Weill’s “Kleine Dreigroschenmusik”. The importance of “Burleske Musik” is also shown by the fact that it was not only his first work to appear in print, but was also dedicated to his future wife Elisabeth (born Reussmann).

You can find more information at https://www.schwerereiter.de/files/detail_cal.php?id=978

Frohe Weihnachten und ein gutes neues Jahr

Die Karl Amadeus Hartmann-Gesellschaft / Hartmann-Center wünscht Ihnen frohe Weihnachten und ein gutes neues Jahr 2024. Wir bedanken uns herzlich für eine spannende Saison 2023 und freuen uns darauf Sie im nächsten Jahr wieder bei unseren Veranstaltungen begrüßen zu dürfen. Alles Gute und bis kommenden April!

 

 

Roland Böer conducts Hartmann’s Symphonic Hymns in the 1st Philharmonic Concert of the Nuremberg State Philharmonic Orchestra

To mark the start of the new 2023/2024 season and his official inauguration as Chief Conductor of the Nuremberg State Philharmonic, conductor Roland Böer has come up with a very special programme for the first concert of the season, with performances of Hartmann’s Symphonic Hymns and Bruckner’s Eighth Symphony. Remaining tickets for the concert on Friday, 13 October are still available via the following link:

https://www.staatstheater-nuernberg.de/spielplan-23-24/gegen-den-strom/13-10-2023/2000

Hartmann’s Gesangsszene with Gerhaher, Berliner Philharmoniker and Petrenko in September 2023 in Berlin and Munich

Karl Amadeus Hartmann’s apocalyptic last work Gesangsszene for baritone and orchestra will be performed four times in Berlin and Munich. As part of the Berliner Festspiele’s Musikfest Berlin, baritone Christian Gerhaher and the Berliner Philharmoniker conducted by Kirill Petrenko will interpret the work on September 14th, 15th and 16th in the Berlin Philharmonie.

The series will conclude with a performance as part of the räsonanz Stifterkonzerte on the occasion of the 50th anniversary of the Ernst von Siemens Music Foundation (cooperation musica viva of the BR) on September 17th at the Isarphilharmonie in Munich.

The programme also includes works by Iannis Xenakis, György Kurtág and a world premiere by Márton Illés.

https://www.berliner-philharmoniker.de/lost-generation/karl-amadeus-hartmann/

https://www.evs-musikstiftung.ch